One of my favorite things about Zanzibar is the Dhow Countries Music Academy (DCMA). It’s on the beach right around the corner from our apartment (or, rather, a short zigzag through the narrow streets).
It’s in a gorgeous old building—the former home/
mansion of a young married couple from the early 1900s, and it’s designed in the old Zanzibar style, with walls made of coral cemented together with lime. Like most of the old buildings here, it’s painted mostly in white, with painted floors in bold colors. It has little nooks and crannies that were probably used to display prized possessions during the mansion’s heyday. Best of all, it’s breezy and cool, even on hot days, because it’s designed with a large courtyard and with windows that open to cross-ventilate with the cool sea breezes.
The mission of DCMA is to make music—and especially traditional Zanzibari music—accessible to the people of Zanzibar. Musicians from the DCMA do outreach performances for schoolkids, offer affordable music lessons to people of all ages, and present monthly concerts to the public on various themes.
We’ve spent quite a bit of time at DCMA since March, when Oscar and Calvin started taking traditional drum lessons there. People in our neighborhood are now used to seeing us traipse through the streets with drums under our arms. The boys love their lessons, and Brady and I both look forward to going twice a week and watching and relaxing in the beautiful setting. Their drum teacher, Kheri, is relentlessly positive and has taught the boys several traditional songs over the course of the past few months, gradually working from one to two and now to five drums apiece. There is no printed music, no metronomes, no explicit teaching philosophy (anything as complex as a teaching philosophy would be difficult to convey, given that Kheri’s English is about as good as our Kiswahili—which is to say, fine for getting a basic point across, but not so useful for the fine points). On a few occasions, Kheri has had Oscar and Calvin practice with dancers—dance being part of the normal ensemble with traditional drums.
The building is always full of music and musicians of all ages, and the monthly concerts now feel like cozy salon evenings with a mixture of friends and people we know by face and instrument if not by name. Oscar and Calvin are going to be taking home a drum apiece but, somehow, it’s not going to be the same.
